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DTSTART;TZID=America/Chicago:20250520T200000
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DTSTAMP:20260419T180543
CREATED:20250423T170058Z
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UID:1382-1747771200-1747778400@resonancearts.org
SUMMARY:Cross Modulations Series: Acevedo/Adsasiewicz/Daisy + Jackson/Jones/Sugimoto
DESCRIPTION:Ausberto Acevedo is a bassist\, composer\, improviser\, and teacher performing regularly both live and in the studio. Ausberto has performed or recorded with a variety of musicians including\, Gino Robair\, Kyle Bruckmann\, Jason Stein\, Guillermo Gregorio\, Keefe Jackson\, Jason Adasiewicz\, Frank Gratkowski\, Sebastian Strinning\, Jaimie Branch\, Dan Bitney\, Jim Baker\, and Tim Daisy. Ausberto is a founding member of Resonance Arts\, a nonprofit organization dedicated to presenting unconventional performance in unlikely spaces throughout the greater Chicago area. \n\n\n\nJason Adsasiewicz Vibraphonist\, drummer\, and composer has been an integral member of Chicago’s jazz and improvised music scene\, bringing his aggressive yet lyrical style to both Chicago and international groups. Adasiewicz performs frequently in Europe. Adasiewicz won the 2011 Downbeat Annual Critic’s Poll in the Rising Star Vibes category and has continuously placed in the vibes category. \n\n\n\nTim Daisy is a Chicago based drummer\, composer\, and presenter who’s been an active member of the international improvised music scene since the late 1990s. \n\n\n\nMainly self- taught\, with some private lessons on drums\, marimba and vibraphone\, Tim’s move and subsequent immersion into Chicago’s fertile creative music scene in 1997 has given him the opportunity to perform\, compose\, tour and record with some of the city’s most acclaimed musicians and ensembles. \n\n\n\nAlong with his drumming and compositional work connected to various experimental music groups\, Tim has also contributed original compositions and improvisations for modern dance\, various sound installations\, documentary films\, and podcasts. \n\n\n\nSince 2011\, he has operated Relay Records\, a 100% artist-run cd and download label which documents much of his creative work both locally and internationally. \n\n\n\nTim helped co-curate the Option Series at Experimental Sound Studio from 2015 until 2022. The programming explores contemporary perspectives on improvisation and composition in a ‘salon’ format\, enabling local\, national\, and international artists to publicly discuss their practice and ideas as well as perform. \n\n\n\nIn addition\, he is a member of the Catalytic Sound Creative Music Cooperative. A music-based co-operative designed to help create economic sustainability for its artists through patron support. \n\n\n\nOutside of Tim’s performance\, curatorial and label duties\, he has worked as a teaching artist with CAPE (Chicago Artist Partnerships in Education.) Collaborating with Chicago public school teachers on projects which enhance learning through arts integration. \n\n\n\n\n\n\n\nKeefe Jackson Saxophonist/clarinetist/improvisor/composer\, Keefe Jackson arrived in Chicago in 2001 from his native Fayettevile\, Arkansas. He performs regularly in the U.S. and in Europe with many musicians including Pandelis Karayorgis\, Tomeka Reid\, Tim Daisy\, Dave Rempis\, Jeb Bishop\, Jason Roebke\, Jason Adasiewicz\, Mike Reed\, Jason Stein\, Josh Berman\, Fred Lonberg-Holm\, Frank Rosaly\, Oscar Jan Hoogland and Marc Unternaehrer. He has also appeared with Michael Moore\, Ab Baars\, Michiel Braam\, Satoko Fujii\, and Anthony Coleman. Bill Meyer (Chicago Reader): “…the impeccable logic of his lines and the richness of his tone leave you wanting more… Jackson’s high-register squiggles and coarsely voiced\, rippling runs push the limits of the tenor’s tonal envelope.” Frank van Herk\, de Volkskrant (Amsterdam): “[Jackson] has an old-fashioned\, warm-woolly sound\, and a feeling for melodic lines that take their time in unfolding.” He has been mentioned in the DownBeat Critics Poll in the Rising Star Tenor Saxophone category. Recordings are available on Delmark and Clean Feed Records. \n\n\n\nMolly Jones Molly Jones’ practice incorporates improvisation and composition with saxophones\, flutes\, and electronics.  Her work originates in a place of playfulness\, listening\, and attention. \n\n\n\nInfluenced by her experiences in jazz\, new music\, Balkan brass\, and Scottish country dance ensembles; her fascination with found sounds; her work as a software engineer; and her ongoing participation in mindfulness communities\, she has created electroacoustic pieces\, chamber works\, experimental theater performances\, poetry\, and video in addition to maintaining an improvisation practice.  She performs with Chicago quartet Mad Myth Science. \n\n\n\nMai Sugimoto is a saxophonist\, composer\, and active member of Chicago’s jazz and improvisational music scene. “A compelling performer” with “dry-champagne tone and lyrical lines” (Chicago Tribune)\, Sugimoto draws inspiration from her upbringing in Japan and her roots in jazz to compose and perform from her unique multicultural experience. Born/Raised\, her debut album (Asian Improv Records\, 2018)\, explores this cultural and musical binary\, juxtaposing\, among others\, a jazz rendition of a Japanese children’s song alongside compositions inspired by the American jazz idiom. Sugimoto is also a core member of the quartet Hanami\, whose two albums similarly mix Japanese culture into creative music. Mai has performed three times at the Chicago Jazz Festival: in 2015 with Hanami\, in 2019 as a leader\, and in 2018 with renowned bassist Tatsu Aoki\, with whom she frequently plays\, including appearances in his Fred Anderson Legacy Band. Her first solo album\, monologue (Asian Improv Records) was released in March of 2021.
URL:https://resonancearts.org/event/acevedo-adsasiewicz-daisy-jackson-jones-sugimoto/
LOCATION:Hideout\, 1354 West Wabansia Ave\, Chicago\, IL\, 60642
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