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DTSTART;TZID=America/Chicago:20240820T200000
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DTSTAMP:20260422T083811
CREATED:20240823T021952Z
LAST-MODIFIED:20241020T120422Z
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SUMMARY:Cross Modulations Series: Macie Stewart & Acevedo/Clark/Fawcett Trio
DESCRIPTION:Our next Cross Modulations presentation will feature the ultra talented multi-instrumentalist\, Macie Stewart playing a solo set. She will be joined on this bill by a new trio featuring Chad Clark on guitar\, Ausberto Acevedo on string bass\, and Jacob Little Cloud Fawcett on drums and percussion. Not to be missed. See below for bios. \nMacie Stewart is a multi-instrumentalist\, composer/arranger\, songwriter\, and improviser based in Chicago\, IL\nStewart primarily works with piano\, violin\, voice\, guitar\, and synthesizers. From a very young age Macie was drawn towards music and sound; learning to communicate with music while simultaneously learning to communicate with words. Stewart’s experience as an open collaborator and composer in her own right has led her music to become fluid and expansive- drawing on all that has come before while intentionally searching for something new. “Mouth Full of Glass” was her debut solo project: released fall of 2021 in the US and as an international release in fall of 2022. \nAusberto Acevedo is a bassist\, composer\, improviser\, and teacher based in Evanston\, IL. \nChad M. Clark is a Chicago based artist and musician known for his idiosyncratic approach to steel string and electric guitar. His aesthetic is one of improvisation as a life force rather than an element or feature. \nJacob Little Cloud Fawcett (Lac Courte Oreilles Band of Ojibwe) is a Chicago based improvisational drummer/composer who blends aspects of jazz and traditional Native American music in order to create original compositions that accurately reflect Indigenous culture and experience. Former teachers include the great Frank Rosaly and legendary poly-rhythm guru Peter Magadini.
URL:https://resonancearts.org/event/macie-stewart-acevedo-clark-fawcett-trio/
LOCATION:Color Club\, 4146 N Elston Ave.\, Chicago\, IL\, 60618\, United States
ORGANIZER;CN="Resonance Arts":MAILTO:info@resonancearts.org
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DTSTART;TZID=America/Chicago:20240822T080000
DTEND;TZID=America/Chicago:20240822T170000
DTSTAMP:20260422T083811
CREATED:20240823T031449Z
LAST-MODIFIED:20241020T120435Z
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SUMMARY:Cross Modulations Series: Dessel/Finnegan Duo | Chrysalis (Acevedo/Baker/Bitney/Jackson)
DESCRIPTION:  \n \nEREZ DESSEL \nAfter graduating from the New England Conservatory in Boston in 2020\, Dessel moved to Savannah\, GA\, where he served as music director at the Savannah Music Festival Jazz Academy\, Savannah’s first free after-school youth jazz program. He also kept up an active performing career in the southeast\, including presenting an hour-long improvised work for piano\, pastel\, and paper at the Savannah Cultural Arts Center. He moved to Chicago in 2022\, and has worked continuously both as a performer and organizer\, recording in an array of contexts with many internationally renowned musicians (including Ken Vandermark\, Tim Daisy\, Dustin Laurenzi\, Maria Elena Silva\, and Seajun Kwon). \nHis current group activity includes the bands Edition Redux\, Walking Cliche Sextet\, and the Thwartet\, Maria Elena Silva; duos with Scott Taylor and Tyler Wagner; and work as a solo performer. Dessel created and curates the Night School series at Agitator gallery\, which presents video artists and improvising musicians in a spontaneous performance context. Dessel has toured nationally and internationally\, including performances in Europe and Korea\, and his concerts and recordings have received critical acclaim \nLILY FINNEGAN \nLily Glick Finnegan is a Chicago born and based drummer\, composer\, improviser\, and organizer. This year she was featured in the Chicago Reader as a “Chicagoan of Note”. She is a member of Edition Redux\, a new ensemble featuring Ken Vandermark\, Erez Dessel\, and Beth McDonald. They have upcoming plans to tour Europe in 2023\, and the United States and South America in 2024. In addition\, she leads her own group and is part of Thwartet and the Sarah Clausen trio. She has collaborated with artists including gabby fluke-mogul\, Ken Vandermark\, Shanta Nurullah\, Macie Stewart\, Dave Rempis\, Ben Lamar Gay\, Devon Gates\, Ed Wilkerson\, Lia Kohl\, Katinka Kleijn\, Fred Jackson\, Jason Stein\, Christof Kurzmann\, and Katie Ernst. \nIn 2021 she completed a Masters of Music from Berklee College of Music in Boston\, Massachusetts. She received a full scholarship to participate in the Berklee Global Jazz Institute\, a 20 person international cadre of musicians led by Danilo Perez. At Berklee she was part of the Institute of Jazz and Gender Justice. Here she was mentored by Terri Lyne Carrington\, Kris Davis\, and Linda May Han Oh. She’s worked on projects with Carrington including “Music for Abolition” as part of the Visualizing Abolition Exhibit at the University of California Santa Cruz. Her thesis project was entitled “Music and Abolition: Creating a World Without Policing- Music’s Role in Imagination\, Experimentation\, and Collectivity”. Prior\, she earned a Bachelor of Arts double major from the University of Wisconsin-Madison in sociology and music.This fueled her interest in studying the confluence between power structures\, history\, and social movements with music. \nShe is one of the curators of the Option Series\, a showcase of contemporary approaches to improvisation and composition held at Experimental Sound Studio. Lily works for the independent music cooperative Catalytic Sound as the record store manager and festival organizer. In 2023 she was nominated as one of the Next Jazz Legacy semi finalists. \nAUSBERTO ACEVEDO \nAusberto Acevedo is a bassist\, composer\, improviser\, and teacher performing regularly both live and in the studio. Ausberto has performed or recorded with a variety of musicians including\, Gino Robair\, Kyle Bruckmann\, Jason Stein\, Guillermo Gregorio\, Keefe Jackson\, Frank Gratkowski\, Jaimie Branch\, Dan Bitney\, Jim Baker\, Adam Shead\, Jerome Bryerton\, and Jeff Chan. Ausberto is a founding member of Resonance Arts\, a nonprofit organization dedicated to presenting unconventional performance in unlikely spaces throughout the greater Chicago area. \nJIM BAKER \nJim Baker has been playing piano and synthesizer in and around Chicago and the world for a few decades\, mostly in improvisational contexts. His work has been documented on more than eighty commercially released recordings\, including recent and/or forthcoming work with Extraordinary Popular Delusions (usually comprised of some combination of Baker\, Mars Williams\, Edward Wilkerson Jr.\, Brian Sandstrom\, and/or Steve Hunt); Rempis/Abrams/Ra+Baker; Urs Leimgruber and Jason Roebke; Charles Rumback; Brandon Lopez and Bill Harris; WiHuBa (with Edward Wilkerson Jr. and Steve Hunt); Mars Williams; Keefe Jackson/Baker/Julian Kirshner; Luke Stewart (with Wilkerson\, Vandermark\, and Ra); Bernard Santacruz and Samuel Silvant; Christoph Erb (with Frank Rosaly\, Michael Zerang\, or Steve Hunt); Junius Paul; Benjamin Vergara/Keefe Jackson/Phil Sudderberg; Dan Phillips; Forget to Find (with Jean-Luc Guionnet\, Pierre-Antoine Badaroux\, and Jason Roebke); and Madness of Crowds (with Brian Sandstrom\, Matt Lux\, Nate Lepine\, and Joe Adamik). \nFor a number of years in the 90s\, Baker was the house pianist for the weekly Sunday evening jam sessions at the Velvet Lounge. For most of the last fifteen years\, he has been playing most Mondays at Beat Kitchen with free-improvisation group Extraordinary Popular Delusions. \nDAN BITNEY \nDan Bitney is an experimental musician and composer based in Chicago. He works within avant-garde electronic rock and improvisational groups most notably Tortoise\, Isotope 217\, Spectralina. \nKEEFE JACKSON \nKeefe Jackson\, saxophonist/clarinetist/improvisor/composer\, arrived in Chicago in 2001 from his native Fayettevile\, Arkansas. He performs regularly in the U.S. and in Europe with many musicians including Pandelis Karayorgis\, Tomeka Reid\, Tim Daisy\, Dave Rempis\, Jeb Bishop\, Jason Roebke\, Jason Adasiewicz\, Mike Reed\, Jason Stein\, Josh Berman\, Fred Lonberg-Holm\, Frank Rosaly\, Oscar Jan Hoogland and Marc Unternaehrer. He has also appeared with Michael Moore\, Ab Baars\, Michiel Braam\, Satoko Fujii\, and Anthony Coleman. Bill Meyer (Chicago Reader): “…the impeccable logic of his lines and the richness of his tone leave you wanting more… Jackson’s high-register squiggles and coarsely voiced\, rippling runs push the limits of the tenor’s tonal envelope.” Frank van Herk\, de Volkskrant (Amsterdam): “[Jackson] has an old-fashioned\, warm-woolly sound\, and a feeling for melodic lines that take their time in unfolding.” He has been mentioned in the DownBeat Critics Poll in the Rising Star Tenor Saxophone category. Recordings are available on Delmark and Clean Feed Records.
URL:https://resonancearts.org/event/dessel-finnegan-duo-chrysalis-acevedo-baker-bitney-jackson/
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