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DTSTART;TZID=America/Chicago:20240415T190000
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DTSTAMP:20260420T002542
CREATED:20240124T220757Z
LAST-MODIFIED:20240213T183616Z
UID:1016-1713207600-1713211200@resonancearts.org
SUMMARY:Northbrook Public Library and Resonance Arts Presents: Eric Leonardson/Carol Genetti Duo and Ratchet
DESCRIPTION:Monday\, April 15th at 7:00 p.m.\nLocation: Northbrook Public Library \n\n\n\nEric Leonardson/Carol Genetti Duo\nEric Leonardson \nEric Leonardson\, a Chicago-based audio artist\, serves as co-founder and President of the Midwest Society for Acoustic Ecology and Vice President of the World Forum for Acoustic Ecology. He is Associate Professor Adjunct in the Department of Sound at The School of the Art Institute of Chicago (SAIC). As a performer\, composer\, and sound designer\, Leonardson created sound with the Chicago based physical theater company Plasticene (1995–2012). Leonardson served as a co-founder of the World Listening Project and\, since 2008\, as its president and board chair from 2015 until 2021. Since 1994\, he performs locally and internationally with the Springboard\, a self-built instrument made in 1994 and often presents on acoustic ecology to new audiences. \nEric Leonardson\, 2016. photo by David Zuchowksi\n\nCarol Genetti \nCarol Genetti is a Chicago-based vocalist whose work encompasses sound and visual art media. Her palette is primordial\, existing in a space where “language” and “music” have yet to be formulated into familiar cultural patterns. Genetti’s aesthetic is one of raw power\, yet also delicate and subtle. She likes to combine various devices with her vocal performance as she “refracts and abrades her wordless vocals with electronics” (Bill Meyer\, The Wire). She has performed with many improvising musicians\, including Jack Wright\, Eric Leonardson\, Peter Maunu\, Olivia Block and many others. Most recent recordings include a duet with Claire Rousay “Live at Elastic Arts” (Astral Spirits) and a collaborative release with visual artist Gwyneth Zeleny Anderson “Chyme” (Suppedaneum). \n \n  \nRatchet\nAusberto Acevedo – Bass\nJeff Chan – Tenor saxophone\, bass clarinet\, flute\nChad M. Clark – Guitar\nMike Perkins – Synths \n \n 
URL:https://resonancearts.org/event/northbrook-public-library-and-resonance-arts-presents-eric-leonardson-carol-genetti-duo-and-ratchet/
LOCATION:Northbrook Public Library\, 1201 Cedar Ln\, Northbrook\, IL\, 60062\, United States
ORGANIZER;CN="Resonance Arts":MAILTO:info@resonancearts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240319T190000
DTEND;TZID=America/Chicago:20240319T210000
DTSTAMP:20260420T002542
CREATED:20240124T222120Z
LAST-MODIFIED:20240125T154814Z
UID:1022-1710874800-1710882000@resonancearts.org
SUMMARY:Cross Modulation Series: Bill Harris/Norman Long Duo and Short Americans
DESCRIPTION:Bill Harris/Norman W. Long Duo\nBill Harris \nBill Harris (b. 1987\, Pittsburgh\, PA) is a percussionist\, improviser\, and audio engineer in Chicago. He also operates and produces for Amalgam\, a Chicago-based label and collective\, and co-operates Chicago recording studio Marmalade. Bill focuses on solo work incorporating acoustic and electronic material\, using feedback and timbral manipulation. He has recorded two solo records\, Blinking Glue\, and ONOMAT. Some of his most frequent collaborators include Ishmael Ali\, Jake Wark\, Carol Genetti\, Emily Beisel\, Allen Moore\, Timothee Quost\, Dave Rempis\, Jim Baker\, PT Bell\, Gerrit Hatcher\, Eli Namay\, Peter Maunu\, Matt Piet\, Brianna Tong\, Wills McKenna\, David Fletcher\, Jess McIntosh\, Aaron Smith\, Jeff Kimmel\, Molly Jones\, and Keefe Jackson. \nNorman W. Long \nNorman W. Long (b. 1973\, Chicago\, IL) is a sound artist/designer/composer based in Chicago\, IL. His current work focuses on sound art production within the larger context of landscape. He has exhibited and/or performed in galleries in Chicago\, Ithaca\, New York\, London\, and the San Francisco Bay Area. The processes involved in his practice lie within the area of field recording\, electro-acoustic composition and dub technique. His art/studio practice involves gardening\, collecting\, performing and recording to create\, objects\, environments\, situations in which the artist and audience are engaged in a dialogue about memory\, space\, value\, silence and the invisible. It is his desire that his practice offers us a space to consider our relationship to sound via social\, ecological structures\, our interiority and to affirm our existence. \nShort Americans\nShort Americans in an experimental music quartet from Minneapolis performing their own compositions as well as their friends. They have worked with people like Manfred Werder\, Kory Reeder\, T.J. Borden\, and others\, mainly play music ranging between open scores and free improvisation\, and have a recent release on All Sky. The group is Luke Martin\, Noah Ophoven-Baldwin\, Max Wanderman\, and Adam Zahller. On this Midwest tour we will be playing new pieces written by each of us\, superimposed on one another in random arrangements for each concert.
URL:https://resonancearts.org/event/cross-modulation-series-bill-harris-norman-long-duo/
LOCATION:Color Club\, 4146 N Elston Ave.\, Chicago\, IL\, 60618\, United States
ORGANIZER;CN="Resonance Arts":MAILTO:info@resonancearts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240220T190000
DTEND;TZID=America/Chicago:20240220T210000
DTSTAMP:20260420T002542
CREATED:20240123T223404Z
LAST-MODIFIED:20250320T171730Z
UID:992-1708455600-1708462800@resonancearts.org
SUMMARY:Cross Modulations Series: Trio de Ruido and Sarah Clausen Quartet
DESCRIPTION:Trio de Ruido\nAusberto Acevedo – Bass\nCharles Malave – Guitars\nFelipe Tobar – Violins \n \nFelipe Tobar \nIn an incessant musical search since he moved to Chicago in 2011 from Santiago de Chile\, violinist and improviser Felipe Tobar’s style is influenced by classical\, folk and jazz. His repertoire includes South and North American folk and classical music\, jazz standards\, and his own compositions. Felipe has played in venues in Chile\, Argentina\, Peru\, the United Kingdom and the United States. He is also a violin teacher and ensemble conductor at The People’s Music School since 2013. \nCharlie Malave \nCharlie Malave’ aka Charlie Universe aka Charlie Wednesday\, is a musician\, multi-instrumentalist\, performing artist\, and video maker whose body of work has produced an array of unique instruments\, compositions\, music videos\, and theatrical productions. \nHe is the guitarist for Mucca Pazza (a performance-art\, marching band/rock band/orchestra)\, and half of the Creative Weirdo team which produces Adventure Sandwich (a cartoon-ish cardboard-based family show). As Charlie Wednesday\, he is the bandleader and co-host of Mr. and Mrs. Wednesday-Night (a mostly-improvised fever dream of music and variety). \nAusberto Acevedo \nAusberto Acevedo is a bassist\, composer\, improviser\, and teacher performing regularly both live and in the studio. Ausberto has performed or recorded with a variety of musicians including\, Gino Robair\, Kyle Bruckmann\, Jason Stein\, Guillermo Gregorio\, Keefe Jackson\, Frank Gratkowski\, Sebastian Strinning\, Jaimie Branch\, Dan Bitney\, and Jim Baker. Ausberto is a founding member of Resonance Arts\, a nonprofit organization dedicated to presenting unconventional performance in unlikely spaces throughout the greater Chicago area. \n** \nSarah Clausen Quartet\nSarah Clausen – Alto Saxophone\nJeff Swanson – Guitar\nKatie Ernst – Bass and Vocals\nJeremy Cunningham – Drums \n \nSarah Clausen  \nSarah Clausen is a saxophonist\, composer and educator based in Chicago\, IL. Utilizing space\, unique melodic content\, and diverse textures\, Sarah has developed an approach to improvisation and composition that is forward moving\, and inspired by many musical traditions. While completing her Bachelor’s of Music in Jazz Performance at Northern Illinois University\, Sarah studied under renowned Chicago Saxophonist Geof Bradfield\, and has had the opportunity to work with artists such as Anna Webber\, Jon Finlayson\, Maria Grand\, Jon Irabagon\, John O’Gallager\, James Falzone\, and Greg Ward. \nJeff Swanson \nGuitarist Jeff Swanson’s unique voice and open mind have been a valued part of Chicago’s diverse music scene for over a decade. A strong player in many disciplines\, he has been featured all around the world including the Jazz Zone (Lima\, Peru)\, Chicago Jazz Festival\, Hyde Park Jazz Festival\, Iowa City Jazz Festival\, Chicago Gospel Festival. Currently as a leader\, Jeff composes music for his trio “Embrace The Rain” featuring Matt Ulery and Jon Deitemyer. He has also recorded two albums with his high-energy electric jazz-influenced project\, Case-fitter\, on BACE Records. \nKatie Ernst  \nKatie Ernst is described by the Chicago Tribune as “a versatile young bassist who plays in far-flung bands and sings with uncommon delicacy and authenticity.” She is co-leader of the adventurous Chicago-based jazz trio Twin Talk\, folk-jazz duo Wayfaring\, indie rock band Edith Judith\, and has received widespread critical acclaim for her Dorothy Parker poetry song cycle Little Words\, which premiered at the Kennedy Center in Washington\, DC. \nJeremy Cunningham \nJeremy Cunningham is a drummer\, composer\, and improviser. Originally from Cincinnati\, he moved to Chicago in 2009\, where he currently performs and composes as an integral part of the city’s vibrant music scene. Cunningham has performed with an impressive roster of luminaries such as Von Freeman\, Jeff Parker\, Mike Allemana\, Marquis Hill\, Caroline Davis\, Nick Mazzarella\, Greg Ward\, Will Miller\, Lane Beckstrom\, and Dave Rempis. He can be heard on Resavoir’s eponymous debut on International Anthem\, Marquis Hill’s albums New Gospel and Sounds of the City\, Caroline Davis’s Live\, Work\, Play as well as on Nick Mazzarella’s Meridian Trio recording Triangulum.
URL:https://resonancearts.org/event/cross-modulations-series-trio-de-ruido-and-sarah-clausen/
LOCATION:Color Club\, 4146 N Elston Ave.\, Chicago\, IL\, 60618\, United States
ORGANIZER;CN="Resonance Arts":MAILTO:info@resonancearts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240116T190000
DTEND;TZID=America/Chicago:20240116T210000
DTSTAMP:20260420T002542
CREATED:20231227T210958Z
LAST-MODIFIED:20240111T205918Z
UID:897-1705431600-1705438800@resonancearts.org
SUMMARY:Cross Modulations Series: Keefe Jackson/Anton Hatwich and Jason Roebke/Michael Zerang/Jon Irabagon
DESCRIPTION:Keefe Jackson \nSaxophonist/clarinetist/improvisor/composer\, Keefe Jackson arrived in Chicago in 2001 from his native Fayettevile\, Arkansas. He performs regularly in the U.S. and in Europe with many musicians including Pandelis Karayorgis\, Tomeka Reid\, Tim Daisy\, Dave Rempis\, Jeb Bishop\, Jason Roebke\, Jason Adasiewicz\, Mike Reed\, Jason Stein\, Josh Berman\, Fred Lonberg-Holm\, Frank Rosaly\, Oscar Jan Hoogland and Marc Unternaehrer. He has also appeared with Michael Moore\, Ab Baars\, Michiel Braam\, Satoko Fujii\, and Anthony Coleman. Bill Meyer (Chicago Reader): “…the impeccable logic of his lines and the richness of his tone leave you wanting more… Jackson’s high-register squiggles and coarsely voiced\, rippling runs push the limits of the tenor’s tonal envelope.” Frank van Herk\, de Volkskrant (Amsterdam): “[Jackson] has an old-fashioned\, warm-woolly sound\, and a feeling for melodic lines that take their time in unfolding.” He has been mentioned in the DownBeat Critics Poll in the Rising Star Tenor Saxophone category. Recordings are available on Delmark and Clean Feed Records. \n  \nAnton Hatwich \nBassist\, composer\, and improviser Anton Hatwich has lived in Chicago since 2003. He was born and raised in Rockford\, IL\, growing up in a musical family. Anton moved to Iowa City\, IA in 1995 and lived there until 2002\, earning a Bachelor of Music degree from the University of Iowa. After graduation Hatwich taught for two years as Visiting Artist in Music at Cornell College in Mt. Vernon\, IA. At the UI he studied bass with Dr. Diana Gannett\, jazz and improvisation with John Rapson\, and also gained valuable experience playing with the school’s renown Center for New Music\, under the direction of David Gompper. Outside of class\, Anton was active in the local music scene. Of particular lasting importance was his work with clarinettist\, saxophonist\, and composer Robert Paredes\, with whom Anton took first steps in the world of free improvisation. \n  \nJason Roebke \nJason Roebke is a double bassist\, improviser and composer living in Chicago. He was born and raised in tiny Kaukauna\, Wisconsin in 1974 and began playing electric bass at age 14. His first fascination was with Motown bassist James Jamerson. Roebke’s first introduction to jazz was at a summer jazz camp run by local legend\, pianist\, John Harmon. Here he heard recordings of Charlie Parker and a life long fascination with music was begun. His high school band director had a small jazz CD collection which included Ornette Coleman’s “The Art of the Improvisers” and Charles Mingus “Mingus Ah Um” which he listed to endlessly for years. \n  \nMichael Zerang \nMichael Zerang was born in Chicago\, Illinois\, and is a first-generation American of Assyrian decent. He has been a musician\, composer\, and producer since 1976\, focusing on improvised music\, free jazz\, contemporary composition\, puppet theater\, experimental theater\, and international musical forms. \nAs a percussionist\, composer and collaborator\, Zerang has over one hundred and thirty-five titles in his discography and has toured nationally and internationally to 39 countries since 1981\, and works with and ever-widening pool of multi-disciplinary collaboration. \n  \nJon Irabagon \nFirst-generation Filipino-American Jon Irabagon (b. 1978\, Chicago) has been influenced by the self-empowering and individualistic philosophies and aesthetic of the great AACM (Association for the Advancement of Creative Musicians) ensembles as well as the historic world-class tenor saxophone lineage from his hometown. Equally adept at composing for rising stars in new music and the most intricate modern jazz ensemble\, Irabagon builds on this foundation by adding modern classical and late-period John Coltrane to his compositional base\, focusing primarily on mixed chamber ensembles to take advantage of hand-chosen musicians’ voices and attitudes.
URL:https://resonancearts.org/event/cross-modulations-series-keefe-jackson-and-anton-hatwich/
LOCATION:Color Club\, 4146 N Elston Ave.\, Chicago\, IL\, 60618\, United States
ORGANIZER;CN="Resonance Arts":MAILTO:info@resonancearts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20231219T190000
DTEND;TZID=America/Chicago:20231219T210000
DTSTAMP:20260420T002542
CREATED:20231227T192723Z
LAST-MODIFIED:20231227T211204Z
UID:882-1703012400-1703019600@resonancearts.org
SUMMARY:Cross Modulations Series: Gleaming Shard | Shead – Smith – Stein Trio
DESCRIPTION:Gleaming Shard is the duo of Da Wei Wang and Jerome Bryerton long time collaborators in the group Street Tentacle with Jeff Chan. \nDa Wei Wang is a veteran guitar hawk of the Chicago avant-rock scene. He is best known for his work in the legendary industrial-gospel-punk band\, Ono. He is also an improviser in Street Tentacle. He has toured throughout the United States and internationally to disseminate the hymns of experimental guitar music. \nDa Wei’s fractured\, atonal guitar style spans from dada funk to existential doom to ambient raga. He applies extended techniques and tools on his guitar to conjure dense\, textured landscapes. His solo guitar work is like a storm cloud whose gaseous firmament is carpeted with hoary sprouts and dust geysers. \nJerome Bryerton’s artistic expression evolved from years of playing drums in rock\, jazz and experimental groups. Performing solo or collaboratively\, he’s toured and recorded internationally with many notable improvisers. Jerome is also part owner of a large industrial silk screening operation in Chicago. \nWhile some may perceive a factory to be the antithesis to the creative process\, Jerome’s imagination has been known to incorporate the errors of assembly line production into some of his art. Rejected test prints often made their way into many of his early canvases. \nStrictly working within the medium of oil on canvas and applied with plexiglass. Jerome’s dense\, moody abstractions and marbleized colors have been said to evoke controlled chaos\, blurred memory and decay. His influences range from Masters such as Gerhard Richter\, Anselm Kiefer\, Luc Tuymans and Cy Twombly. Self-taught and skilled in improvisation\, Jerome believes that everything starts with curiosity: if you’re curious about something and you’re willing to learn more about it\, everything happens by itself. \nShead – Smith – Stein Trio is a trio consisting of Adam Shead on percussion\, Damon Smith on Bass\, and Jason Stein on Bass Clarinet. \nAdam Shead is an American multi-disciplinary artist of Armenian descent living in Chicago\, Il whose practice spans the realms of music\, painting\, photography\, and poetry. Throughout his work Shead hopes to create a sense of spatial presence in which the codification of experience is dismantled in the search of personal truth. Through this pursuit of truth Adam hopes to provide a reprieve while simultaneously challenging himself and his audience through active participation in invention\, compassion\, trust\, and grace. \nShead can be heard performing regularly throughout Chicago at such venues as Constellation\, Hungry Brain\, Elastic Arts\, and Experimental Sound Studio; performing alongside such muscians as Jason Stein\, Damon Smith\, Josh Berman\, Steve Swell\, John Dikeman\, Jasper Stadhouers\, Angel Bat Dawid\, Matt Piet\, James Falzone\, and Mary Oliver. Adam has recorded music for Amalgam Records\, Ears & Eyes Records\, Scripts Records\, and Impermanent Records. In 2016 he was selected as Artist in Residence for the Birdsell Project’s summer season. Adam has performed at renowned festivals such as Edge Fest\, DOEK festival\, and Homebody Festival. Shead holds a Bachelors of Music in Percussion Performance from Columbia College Chicago as well as Masters of Music in Contemporary Improvisation and a Graduate Certificate in World Performance Studies from the University of Michigan. \nDamon Smith studied double bass with Lisle Ellis and has had lessons with Bertram Turezky\, Joëlle Leandré\, John Lindberg\, Mark Dresser and others. Damon’s explorations into the sonic palette of the double bass have resulted in a personal\, flexible improvisational language based in the American jazz avant-garde movement and European non-idiomatic free improvisation. Visual art\, film and dance heavily influence his music\, as evidenced by his CAMH performance of Ben Patterson’s Variations for Double Bass\, collaborations with director Werner Herzog on soundtracks for Grizzly Man and Encounters at the End of the World\, and an early performance with the Merce Cunningham Dance Company. \nDamon has collaborated with a wide range of musicians\, including: Cecil Taylor\, Marshall Allen (of Sun Ra’s Arkestra)\, Henry Kaiser\, Keith Rowe\, Jaap Blonk\,Roscoe Mitchell\, Weasel Walter\, Michael Pisaro\, Wadada Leo Smith\, Weasel Walter\, Marco Eneidi\, Wolfgang Fuchs\, Peter Brötzmann and Peter Kowald. After many years in the San Francisco Bay Area\, and six great years in Houston\, Texas working regularly with Alvin Fielder\, Sandy Ewen\, Thomas Helton\, David Dove & Chris Cogburn. Damon moved to the Boston area in the fall of 2016 and began working with Jeb Bishop\, Pandelis Karayorgis\, Joe McPhee and Ra-Kalam Bob Moses and many others. Damon has run Balance Point Acoustics record label since 2001\, releasing music focusing on transatlantic collaborations between US and European musicians. \nJason Stein is among the mere handful of improvisers who play the bass clarinet exclusively. Stein leads the acclaimed trio Locksmith Isidore as well as his own quartet. He contributes to several of the leading bands on Chicago’s new-music scene and has brought a vital voice to the freest of free-jazz jams. Stein’s playing showcases an extraordinary expertise on the bass clarinet\, which ranges from powerful post-bop lines to ear-grabbing wails in the altissimo range. Chicago writer Neil Tesser notes that “Stein’s playing has a rawboned swagger particular to Chicago jazz in all its manifestations – from the trad playing of Bud Freeman and Jimmy McPartland in the 20s\, through the tenor titans of the 50s\, through the adventurers who formed the AACM in the 60s\, and right up to the city’s renowned modern cadre of new-music improvisers.” Stein moved to Chicago in 2005 and has since recorded for such labels as Leo\, Delmark\, Not Two\, Atavistic\, 482 Music\, Clean Feed\, Astral Spirits\, and Northern Spy. Stein has performed throughout the US and Europe as both a bandleader and sideman and has amassed a discography of over 40 albums.
URL:https://resonancearts.org/event/gleaming-shard-shead-smith-stein-trio/
LOCATION:Color Club\, 4146 N Elston Ave.\, Chicago\, IL\, 60618\, United States
ORGANIZER;CN="Resonance Arts":MAILTO:info@resonancearts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20231121T190000
DTEND;TZID=America/Chicago:20231121T210000
DTSTAMP:20260420T002542
CREATED:20231227T204249Z
LAST-MODIFIED:20240401T150223Z
UID:884-1700593200-1700600400@resonancearts.org
SUMMARY:Cross Modulations Series: Tontine Ensemble | Ratchet
DESCRIPTION:Tontine Ensemble was founded in the spring of 2014 with the mission to perform improvisational and contemporary chamber works\, as well as champion new music from composers in their community. Its four current members first played together for a Blank Radio (Milwaukee\, WI) recording session and immediately began rehearsing regularly. Allen Russell\, Molly Lieberman\, Pat Reinholz\, and Barry Paul Clark are all classically trained musicians who teach and regularly perform in a variety of styles around the Milwaukee area and beyond. \nTontine Ensemble has appeared as guest artists at Mike Neumeyer and Friends\, Danceworks\, Inc. (Paleontology of a Woman – 2014\, Footsteps\, Shadows & Whispers – 2015)\, Milwaukee Follies\, Formations Series for New and Improvised Music\, Alverno Presents (Prince Uncovered – 2015)\, The Pre-Maturely Air Conditioned Arts Collective\, performed in the inaugural Milwaukee Fringe Festival in August 2016\, and collaborated on a new score to the choreography of Garrett Glassman for Milwaukee Ballet’s “MXE: Milwaukee Mixed” event in February 2018. \nThe ensemble has shared the stage with JOBS\, Netmoiré\, Lovely Socialite Mrs. Thomas W. Phipps\, 1913\, Geodes\, Trench\, Jonah Parzen-Johnson\, Jamison Williams\, Nestle\, Tyler Damon + Tashi Dorji duo.\, Spires That In The Sunset Rise + Michael Zerang\, and Rhythmplex founder Jon Mueller. \nRatchet is the a collective of improvisers consisting of Jeff Chan (Woodwinds – Tenor Saxophone\, Bass Clarinet\, Clarinet\, Flute)\, Chad Clark (Guitar)\, Michael Perkins (Piano\, Keyboards\, and Synth)\, and Ausberto Acevedo (Double Bass). \nThe quartet had previously collaborated in many other arenas but never as a unit. In 2023\, that changed when they debuted as the collective Ratchet
URL:https://resonancearts.org/event/cross-modulations-series-tontine-ensemble-ratchet/
LOCATION:Color Club\, 4146 N Elston Ave.\, Chicago\, IL\, 60618\, United States
ORGANIZER;CN="Resonance Arts":MAILTO:info@resonancearts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230919T190000
DTEND;TZID=America/Chicago:20230919T210000
DTSTAMP:20260420T002542
CREATED:20231227T204428Z
LAST-MODIFIED:20231227T211946Z
UID:886-1695150000-1695157200@resonancearts.org
SUMMARY:Cross Modulations Series: Chad M. Clark | Tim Daisy Duo and Snek Trio
DESCRIPTION:Tim Daisy is an American drummer and composer working in the fields of improvised and composed music. Tim moved to Chicago in 1997 and since that time has performed\, recorded\, and toured with many national and international improvised musicians and ensembles. \nIn 2011 he received the New Music America Composers Assistance Award and in 2011\, 2012 and 2017 the ASCAP Plus Award from the American Society of Composers\, Authors and Publishers. He has recorded over one hundred and thirty albums as a sideman or leader for labels including Relay\, (which he owns and operates)\, Not Two\, Clean Feed\, Astral Spirits\, Aerophonic\, Audiographic\, Sonorus\, Trost\, Utech\, New World\, and Okka Disk. \nChad Clark is an American composer\, guitarist\, improvisor\, and sound artist living in Evanston\, Illinois. He is also the founder of the legendary field recording collective Chicago Phonography\, a loose collective of artists interested in promoting creative activity in listening by producing and broadcasting unprocessed field recordings as an ensemble in a \ncontext of live improvisation. Motivated by the maxim “nature performs and we provide the secretarial services” (R. Murray Schafer The Tuning of the World). \nSnek Trio is a Chicago based psychedelic free-jazz party band featuring Reid Karris\, Janna Lee\, and Erik Sowa
URL:https://resonancearts.org/event/cross-modulations-series-chad-clark-tim-daisy-duo-and-snek-trio/
LOCATION:Color Club\, 4146 N Elston Ave.\, Chicago\, IL\, 60618\, United States
ORGANIZER;CN="Resonance Arts":MAILTO:info@resonancearts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230815T190000
DTEND;TZID=America/Chicago:20230815T210000
DTSTAMP:20260420T002542
CREATED:20231227T204854Z
LAST-MODIFIED:20231227T211235Z
UID:889-1692126000-1692133200@resonancearts.org
SUMMARY:Cross Modulations Series: Ed Wilkerson | Ben Lamar Gay Duo and Ratchet
DESCRIPTION:Edward Wilkerson Jr. is one of the great saxophone and clarinet players on the Chicago scene\, but from the ’80s into the new millennium may have become best known as a bandleader and composer\, particularly associated with medium- to large-scale projects (somewhat daunting in an era when creative music bandleaders are challenged to keep even small ensembles together). He has also been a major presence in Chicago’s Association for the Advancement of Creative Musicians (AACM)\, teaching composition at the organization’s music school and serving for a time as AACM president. \nBen LaMar Gay is a composer\, multi-instrumentalist\, singer\, poet\, and patently eclectic polymath who Afropunk has called “strikingly original\,” Pitchfork has called “uncategorizable\,” and Jeff Parker has called “hands down\, one of my favorite musicians on the planet today.” He channels a radical array of sound\, color\, and space through the universal language of folklore; but despite the widely attributed genius of his work\, his artistic approach and general demeanor are characterized by an endearing humbleness and warm humanity. \nRatchet is a Chicago based quartet featuring Ausberto Acevedo double bass\, Jeff Chan woodwinds\, Chad Clark guitars\, and Mike Perkins synths and electronics
URL:https://resonancearts.org/event/cross-modulations-series-ed-wilkerson-ben-lamar-gay-duo-and-ratchet/
LOCATION:Color Club\, 4146 N Elston Ave.\, Chicago\, IL\, 60618\, United States
ORGANIZER;CN="Resonance Arts":MAILTO:info@resonancearts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230718T190000
DTEND;TZID=America/Chicago:20230718T210000
DTSTAMP:20260420T002542
CREATED:20231227T205130Z
LAST-MODIFIED:20231227T211249Z
UID:893-1689706800-1689714000@resonancearts.org
SUMMARY:Cross Modulations Series: Jason Adasewicz and Ishmael Ali
DESCRIPTION:Ishmael Ali is a dynamic cellist\, guitarist\, improviser\, and composer based out of Chicago. His work centers on exploring sound through improvisation\, experimentation\, composition\, and collaboration\, focusing on a wide array of idiomatic approaches in an ever-changing\, always-growing list of projects informed by diverse influences. \nVibraphonist\, drummer\, and composer has been an integral member of Chicago’s jazz and improvised music scene\, bringing his aggressive yet lyrical style to both Chicago and international groups. Adasiewicz performs frequently in Europe. Adasiewicz won the 2011 Downbeat Annual Critic’s Poll in the Rising Star Vibes category and has continuously placed in the vibes category.
URL:https://resonancearts.org/event/cross-modulations-series-jason-adasewicz-and-ishmael-ali/
LOCATION:Color Club\, 4146 N Elston Ave.\, Chicago\, IL\, 60618\, United States
ORGANIZER;CN="Resonance Arts":MAILTO:info@resonancearts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230620T190000
DTEND;TZID=America/Chicago:20230620T210000
DTSTAMP:20260420T002542
CREATED:20231227T205443Z
LAST-MODIFIED:20231227T211302Z
UID:895-1687287600-1687294800@resonancearts.org
SUMMARY:Cross Modulations Series: Norman W. Long and Emily Rach Beisel
DESCRIPTION:Norman W. Long is a sound artist/designer/composer based in Chicago\, IL. His current work focuses on sound art production within the larger context of landscape. \nEmily Rach Beisel is a Chicago-based improvisor\, composer\, educator\, curator and woodwind specialist. Beisel is known for visceral performances combining extended instrumental techniques with heavy amplification and timbral effects.
URL:https://resonancearts.org/event/cross-modulations-series-norman-w-long-and-emily-rach-beisel/
LOCATION:Color Club\, 4146 N Elston Ave.\, Chicago\, IL\, 60618\, United States
ORGANIZER;CN="Resonance Arts":MAILTO:info@resonancearts.org
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